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| After Breugel's Gloomy Day • 11" x 17" • graphite on paper • © tami s. tsark |
12.14.2012
Other Small Work - Dec 201
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| After Ann G. • 3" x 2" • oil on paper •© 2012 tsark |
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| Santa Catching His Sleigh • 2" x 2" • oil on found wood © 2012 tsark |
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| Woodspired • ink on cardboard • 3.5" x 3.5" •© 2012 tsark |
12.08.2012
Father Christmas and the Angel & Windy Season 2012
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| Father Christmas and the Angel 2012 • 4" x 4" • oil on paperboard • © tsark |
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| Windy Season • 4" x 4" • oil on paperboard • © tami sloan tsark |
12.05.2012
Review in Art Business of Chester Arnold's show
It's an honor to have my review of Chester's show at the Catherine Clark Gallery published by Alan Bamberger :
http://artbusiness.com/1open/110312.html
Catharine Clark Gallery: A Pilgrim's Progress - Chester Arnold.
Review by Tami Tsark: Chester Arnold's show presents panoramas of canyons, creeks, and chasms; journeys to countrysides, forests, and mines; and dialogs with bones, pails and hats. As you enter the gallery, the paintings strike you as contemporary work created by an "old-world" painter. The paintings take you to places you feel you might know, but know you have never been. Look beyond the rich, expertly rendered layers of paint and you'll find, upon closer examination, familiar but unknown objects and memorabilia. The tools, the skeletons, and other magical things that are lodged into the crevices and the nooks and crannies of the majestic environments, revealing a hidden yet palpable unknown story (unless you're fortunate enough to hear the stories told by the painter himself).
The show's opening reception on November 3rd includes an artist's "walk-through" and gives a lucky audience insight into his work, his paintings and his teachings-- as a journey-- which he fondly describes as the "disorganized religion of art." (The show's title comes from-- and references-- the Christian allegory by John Bunyan.) He explains that the work is idea-driven and reflects his childhood of "Sixty Years in the Forest." Profoundly in love with painting at an early age, it is clear that this could not be more true for Arnold now.
This show is one of discovered narrative. At first glance, you are presented with rich moody environments. Look closer and you'll uncover and be taken-in by work which is cleverly embedded with humor, and with deep translucent light. The content is one of rich allegory and delicate spirit. Chester Arnold describes the work as "a physical objectification of detail... an inseparable union of interests" which he coins as a new genre of painting, "Psycho Realism." Every paint stroke and every object reveals his love, his acute exploration, and his celebration of these worlds.
If you've not yet seen the show, I encourage you to journey into these spaces and embark on the passage of time and experience through which these paintings might lead you.
Art by Chester Arnold at Catharine Clark Gallery. (caption & photo Alan Bamberger)
Chester Arnold degraded environment art. (caption & photo Alan Bamberger)
Art by Chester Arnold at Catharine Clark Gallery. (caption & photo Alan Bamberger)
Chester Arnold discourses on his art (image c/o Tami Tsark).
Environmental art by Chester Arnold at Catharine Clark Gallery. (caption & photo Alan Bamberger)
Human impact art by Chester Arnold. (caption & photo Alan Bamberger)
Art by Chester Arnold at Catharine Clark Gallery. (caption & photo Alan Bamberger)
Chester Arnold art. (caption & photo Alan Bamberger)
Post-Chester-Arnold-art-show redux at Catharine Clark Gallery. (caption & photo Alan Bamberger)
http://artbusiness.com/1open/110312.html
Catharine Clark Gallery: A Pilgrim's Progress - Chester Arnold.
Review by Tami Tsark: Chester Arnold's show presents panoramas of canyons, creeks, and chasms; journeys to countrysides, forests, and mines; and dialogs with bones, pails and hats. As you enter the gallery, the paintings strike you as contemporary work created by an "old-world" painter. The paintings take you to places you feel you might know, but know you have never been. Look beyond the rich, expertly rendered layers of paint and you'll find, upon closer examination, familiar but unknown objects and memorabilia. The tools, the skeletons, and other magical things that are lodged into the crevices and the nooks and crannies of the majestic environments, revealing a hidden yet palpable unknown story (unless you're fortunate enough to hear the stories told by the painter himself).
The show's opening reception on November 3rd includes an artist's "walk-through" and gives a lucky audience insight into his work, his paintings and his teachings-- as a journey-- which he fondly describes as the "disorganized religion of art." (The show's title comes from-- and references-- the Christian allegory by John Bunyan.) He explains that the work is idea-driven and reflects his childhood of "Sixty Years in the Forest." Profoundly in love with painting at an early age, it is clear that this could not be more true for Arnold now.
This show is one of discovered narrative. At first glance, you are presented with rich moody environments. Look closer and you'll uncover and be taken-in by work which is cleverly embedded with humor, and with deep translucent light. The content is one of rich allegory and delicate spirit. Chester Arnold describes the work as "a physical objectification of detail... an inseparable union of interests" which he coins as a new genre of painting, "Psycho Realism." Every paint stroke and every object reveals his love, his acute exploration, and his celebration of these worlds.
If you've not yet seen the show, I encourage you to journey into these spaces and embark on the passage of time and experience through which these paintings might lead you.
Art by Chester Arnold at Catharine Clark Gallery. (caption & photo Alan Bamberger)
Chester Arnold degraded environment art. (caption & photo Alan Bamberger)
Art by Chester Arnold at Catharine Clark Gallery. (caption & photo Alan Bamberger)
Chester Arnold discourses on his art (image c/o Tami Tsark).
Environmental art by Chester Arnold at Catharine Clark Gallery. (caption & photo Alan Bamberger)
Human impact art by Chester Arnold. (caption & photo Alan Bamberger)
Art by Chester Arnold at Catharine Clark Gallery. (caption & photo Alan Bamberger)
Chester Arnold art. (caption & photo Alan Bamberger)
Post-Chester-Arnold-art-show redux at Catharine Clark Gallery. (caption & photo Alan Bamberger)
Smile and hold their hand
12.02.2012
Choices, Hanging Beauty, Red K 2012
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| "Hanging Beauty" • 6" x 4" • ink on paper • ©tsark |
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| "Red K" • 40" x 28" • oil on canvas ©tsark |
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| "Ghetto Santas" • 4" x 4" • oil on canvas ©tsark |
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| "After Bruegel's Horse Trader" • 11" x 14" • ink on paper • | ©tsark |
11.18.2012
11.04.2012
Tiny 2012
11.03.2012
10.10.2012
October Oddities 2012
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| Oct.Trees COM • 11" x 14" • ink on paper • © tsark |
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| ZC2 • 18 x 12 •charcoal on paper • © tsark |
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| ZC1 • 14 x 11 • mixed media | on paper • © tsark |
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