Playing In The Fields of Imp • 6" x 4" • oil on cardstock • ©2014 tami s. tsark |
3.31.2014
3.29.2014
Chuck Jones
3.25.2014
Recent Dots of Red & Italy
3.20.2014
Art Review: Edwige Fouvry 2014, published March 2014
I was asked to write a review of Edwige Fouvry's show at the Dolby Chadwick Gallery (SF, CA).
This was published on the Artbusiness.com website, March 2014
http://artbusiness.com/1open/030614.html
Edwige Fouvry's work at Dolby Chadwick is very present. When you see her paintings in person, there's a softer clarity than one might perceive when looking at the digital images. The paint seems more "harmonious" in person. In either case, there's a strong sense of personality-- both hers and those of her subjects. Her line, the presence of her brush, has a quite open feeling to it. Yet her figures exist in seemingly tight or closed, almost suffocating space. I am particularly charmed by the little seascapes which have an immediacy to them. It is quite nice to meet her; she looks particularly lovely sporting a "madder lake deep"-colored scarf, an ever-present signature color in her figures.
This was published on the Artbusiness.com website, March 2014
http://artbusiness.com/1open/030614.html
Edwige Fouvry's work at Dolby Chadwick is very present. When you see her paintings in person, there's a softer clarity than one might perceive when looking at the digital images. The paint seems more "harmonious" in person. In either case, there's a strong sense of personality-- both hers and those of her subjects. Her line, the presence of her brush, has a quite open feeling to it. Yet her figures exist in seemingly tight or closed, almost suffocating space. I am particularly charmed by the little seascapes which have an immediacy to them. It is quite nice to meet her; she looks particularly lovely sporting a "madder lake deep"-colored scarf, an ever-present signature color in her figures.
3.17.2014
3.06.2014
Twig Girl 4
3.04.2014
Gratitude & Skies
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